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Ethnic Dress in the United States: A Cultural Encyclopedia, Hardcover, UK ed. Edition by Lynch, Annette

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Hardcover: UK ed. Edition
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Publication Date: 2014-10-30
Publisher: Rowman & Littlefield Publishers
Hardcover : 336 pages
Edition: UK ed. Edition
Author: Lynch, Annette
ISBN-10: 0759121486
ISBN-13: 9780759121485

Product Description The clothes we wear tell stories about us—and are often imbued with cultural meanings specific to our ethnic heritage. This concise A-to-Z encyclopedia explores 150 different and distinct items of ethnic dress, their history, and their cultural significance within the United States. The clothing artifacts documented here have been or are now regularly worn by Americans as everyday clothing, fashion, ethnic or religious identifiers, or style statements. They embody the cultural history of the United States and its peoples, from Native Americans, white Anglo colonists, and forcibly relocated black slaves to the influx of immigrants from around the world. Entries consider how dress items may serve as symbolic linkages to home country and family or worn as visible forms of opposition to dominant cultural norms. Taken together, they offer insight into the ethnic-based core ideologies, myths, and cultural codes that have played a role in the formation and continued story of the United States. Review One way that multicultural diversity in the United States can be seen is by observing past and present ethnic influences on contemporary fashion. Like much of the US population, anorak parkas, Ugg boots, pashmina shawls, and dashikis—to name just a few of the topics covered in this concise volume—all came from somewhere else. More than 150 diverse and unique clothing items, including headwear, shoes, jewelry, and accessories, are described in short signed essays by contributors with academic credentials or professional interests in fashion and costume. Each signed entry provides a brief history of the artifact's origins, how it has been interpreted in the US, and the influences or impact it may have had on popular dress and culture. The entries provide ample see also and compare to cross-references, along with short lists of further readings. Selected entries are accompanied by small but detailed black-and-white ink drawings. The inclination of some contributors to provide examples of ethnic dress worn by particular film and music celebrities tends to date some of the entries. Based on the content and writing, this resource seems most appropriate for public libraries and secondary-school reference collections. Summing Up: Recommended. General readers., CHOICE The information is highly engaging and challenges the beliefs Americans may hold about their own culture. . . .Ethnic Dress in the USA is written for a general audience making it appropriate for public libraries, secondary schools and community college libraries, as well as colleges and universities with programmes in textiles, culture and history., Reference Reviews Ethnic Dress in the United States is the go-to resource for anyone who has ever wondered where a particular clothing item or style originated. This work also provides an entry into further exploration of the diverse ethnic groups that continue to enrich the culture of the United States through the introduction and transformation of traditional clothing into Western fashion. -- Laura Kidd, Southern Illinois University Carbondale About the Author Annette Lynch is a professor in the Textile and Apparel Program at the University of Northern Iowa. Her research focuses on the role of dress and appearance in negotiating gender role transformation and cultural change, particularly within the United States. Her book Dress, Gender and Cultural Change examined the role of dress worn within rites of passage in modifying and reinventing tradition and gender ideals for Hmong and African American teenagers and young adults. She has also written extensively on the mainstreaming of porn culture into fashion and identity constructions in the new millennium. Mitchell D. Strauss is professor of textiles and apparel at the University of Northern Iowa. He has been involved in education and consulting with the textile industry for more than thirty years. He has also served as the dean of the Institute o

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